Woven (96)
Denim fabric was first produced in France and Italy in the 19th century for the use of workers. It got its name from the south of France where it first touched. De Nimes from the city.
Later, when the United States of America made this product first a workwear and then a cultural item, it was adopted by the masses and became an important fashion product by gaining its real reputation. Denim has started to reflect a clothing philosophy on its own. There is no other type of clothing in the world that is accepted by people of all nations and age groups. The yarn used in denim fabric production has a very important place in terms of wide product range and meeting the expected quality.
The most important feature of denim is that it is a tough and durable fabric obtained by frequent weaving with high twisted strong threads. In the classical sense, a denim fabric warp is dyed with indigo dyestuff, the weft is undyed (ecru) and produced using cotton fibers 2/1 Z (2 top 1 bottom or 2 full 1 empty right-handed) or 3/1 Z (3 upper 1 lower or It is produced in a 3 full empty right-handed twill weaving construction with warp density. It is a fabric structure with low rubbing fastness, which is dominated by the color of the warp thread in the appearance of the fabric, because the warp threads are dense on the surface of the fabric, both in terms of texture and density.
Denim fabrics, whose general features can be listed in this way, have started to come out of the framework of known production methods or conventional dye chemical application processes, thanks to the developing and growing fashion trend and innovative processes. They can now be produced not only from cotton fibers, but also with many different synthetic fiber blends. In addition, dyeing the wefts with various dyestuffs besides the warps completely changes the general appearance of the classic denim fabric. It is possible to multiply the examples that can be given in this way. This shows that denim fabrics also change their physical properties and go beyond the known denim fabric draft.
In denim fabric production, the yarns produced by one of the various spinning systems to be used to form the weft of the fabric are sent directly to the weaving preparation room, and the warp yarns are sent to the warp dyeing department to form the warp. Threads to be used as warp threads in denim fabric production are dyed with indigo dyestuffs, which give denim its characteristic feature, unlike weft threads. Warp threads used in denim fabric production today can be dyed not only with indigo dyestuff, but also combined with sulfur and some cube dyestuffs. It can be in the form of "top" and "bottom" painting, which comes from the words "top" and "bottom" in English. For example, it can be in the form of bottom sulfur-top indigo, that is, indigo on sulfur first, or bottom indigo-top sulfur, that is, sulfur dyeing on indigo at the bottom. Today, warp dyeing can be performed in two different forms with three different techniques. In the open width dyeing and loop dyeing methods, the warp threads are dyed wrapped around the warp beam, while in the rope dyeing method, the dyeing process takes place after the thread bobbins are transferred to the rope winding machine and the rope form is given.
Rope Dyeing Method
In the rope dyeing technique, 300-400 warp threads are drawn from the creel and wound in the form of ropes in lengths of 10.000 - 15.000 m with the help of rope winding machines.
This process is the first step of the rope dyeing method. Then, 12-36 of these ropes are exposed to 5 or even 6 passages of indigo dye in sequence. each passage; It consists of the immersion part where the material can take the dyestuff while passing, followed by the squeezing process and then the air passage to ensure the oxidation of the dyestuff. The warp yarns absorb most of the indigo dyestuff that they can take in the first dye bath. In subsequent dye baths, only a small amount of dyestuff penetrates the yarn. Darker colors can be obtained by increasing the number of boats and the concentration in the boats. The oxidation time is usually 1 minute. If it is taken below 1 minute, the dyestuff cannot be oxidized, if the oxidation time is kept long, the color may be very dark. After the last air passage, dyestuff and chemical residues are washed in washing trays. Neutralization with citric acid and then drying is done in the last vessel. After the rope winding and rope dyeing processes, the warp yarns are prepared for sizing. The sizing process is done after it is brought from the rope form to a single warp beam form. For this reason, the ropes prepared before the sizing process come to the rope opening section to be wound on the warp beam. Rope ends are placed exactly on the combs in front of the machine with a system called cross. The ropes in the buckets are passed through the rollers at a certain distance from the machine. The purpose of this process is to ensure the parallelism of the yarns that have passed through too many rollers and mixed with each other in the dyeing process. In the rope opening section, broken and missing ends are completed and a smooth warp beam is prepared. The indigo dyeing technique, which has the highest dyeing quality, is expressed as the rope dyeing technique.
Open Width Painting Method
In this dyeing method, beams coming from serial warping are first dyed and then sized in a machine called "slasher". Slasher machine is an alternative machine to rope dyeing, which aims to minimize the number of processes to be applied for the denim dyeing process, in which the warp threads wound on the beams in the serial warp machine are dyed and sized. In this system, 350-400 threads of 50.000 m length are wound on the warp beams and 12-16 of these warp beams are placed in front of the line. Then, all of the yarns in the warp beams are subjected to dyeing, drying, sizing and re-drying processes, respectively. All these process steps are carried out on the same machine line and the process is completed by wrapping all the warp threads on a single warp beam at the end. Since the dyeing process is not in the form of a rope, the warp yarns are made ready for weaving in a single operation by wrapping the warp yarns on the weaving beam by sizing in the last part of the machine, without the need for rope winding and unwinding processes.
Loop Painting Method
This dyeing method is also carried out in an open width form. Open-width warp threads are held by the inlet roller and transferred to the prewash bath. After the prewash, the yarns proceed to the dyeing trough. After the yarns reaching the dyeing vat are treated with indigo, they reach the warp beams over the indigo trough instead of the afterwash trough. Just after this part, it passes under the beams and reaches the indigo dyeing trough again. The dyeing method is called loop dyeing because this path it has covered reminds of a loop. In this dyeing, there is a single bath instead of many dye baths. The desired color is to dip the threads 4-10 times into the impregnation vessel called "Twin Pad" in this technique and oxidize with air while passing under the beams after each boat dive. However, since it is a single boat, it is not possible to dye the yarn with a wide variety of dyestuffs. Therefore, it is not a very flexible method. After the yarns are sufficiently dyed, they are wrapped in warp beams after being subjected to post-washing and drying processes. Then sizing is carried out.
With the methods mentioned above, the warp threads are made ready for weaving and the weaving process is started. Denim fabrics can be produced in hook, shuttle and air jet weaving machines. Generally, warp density twill textures such as 2/1 or 3/1 Z weaving construction are preferred. The weight of denim fabrics is usually us is expressed as. 1 ounce is 28,35 g. In this case, the equivalent of 1 oz/yd2 is approximately 33,91 g/m2. They are produced in sufficient density and weight with the necessary yarns in accordance with the area where the fabrics will be used (shirts, skirts, trousers, jackets, men's/women's clothing or summer/winter etc.). Since it is a type of fabric with a tight structure, the preferred weaving machines should be suitable for heavy working conditions.
Finishing Processes in Denim Fabric Production
Some finishing processes are applied to make the raw fabrics ready for sale. A classic denim fabric finishing is no different from any woven fabric finishing. Respectively brushing, burning, washing, finishing, drying and sanforization are processed. In the brushing process, the fabric passes between the cylindrical brushes. Meanwhile, dust, fly, foreign matter and threads on the fabric are cleaned by suction with air suction. Then, the hairs on the fabric surface, which are lifted into the air after brushing, are quickly passed under the flame used in the burning machine, and the fibers on the surface are removed. Thus, the pre-treatment processes that give the denim fabric a smooth and shiny appearance are completed.
The fabric is washed in this process by passing it through a water trough. After the incineration process, pre-treatment processes such as mercerization and bleaching can optionally be continued. Then, the fabrics are taken to stenters with a finishing trough in front of them. In the stenter machine, firstly, the fabrics are processed in the finishing vat according to the desired properties. softness, fullness, waterproofing, resin coating etc. substances that provide properties can be given. After removing the excess finishing on the fabric with the printing rollers, the curvatures in the fabric wefts are corrected with the mahlo device at the entrance of the stenter machine by the right-to-left movements of the tension rollers. When the denim fabric is sewn, the weft slope is adjusted in this way so that the legs of the jeans do not turn after washing. Since the fabric texture is in twill, this process is an important process and if the slope is not given properly, a trotting error may occur. mahlo After the assembly, the fabric comes to the section where the drying drums of the machine are located. During drying, steam is given out from inside the drum cylinder. This given steam passes through the fabric. The purpose here is to adjust the desired moisture content in the fabric. If the fabric is transported by the needle chain system at the machine entrance, the longitudinal shrinkage can also be positively affected by giving an advance, that is, pre-feeding.
The stenter is an important finishing machine in which the fabrics are both dried and provided with aspect-length dimensional stability. After the stenter machine, the fabrics are made to be non-shrinkable. to the sanforization process is taken. In the sanforizing machine, the tension that will be suffered in the next stages due to the tensions and fiber properties in the fabric is taken to the maximum. In this way, the fabric is put into the size it will take after many washings. In fact, in the sanforizing process, weft yarns are brought closer together by mechanical means. At the entrance of the machine, the fabric is passed through the opening roller to prevent folded and wrinkled entry into the machine. According to the quality of the fabric, water or steam is sprayed to moisten the fabric, soften the cracks and shrink from the width. With the help of the leg rotation adjustment cylinder, the desired leg rotation is given to the fabric and the weft slopes are corrected. The fabric is passed over the surface between the heated steel roller and the rubber band, and at a certain temperature and pressure, shrinkage is given in the warp direction. Then, the fabric is dried with the help of a felted roller, the ironing effect is applied to the fabric and the given shrinkage is stabilized. After the felt, the fabric passes through the cooling drums and is wrapped in the dock.
Finishing Processes Applied to the Finished Denim Fabric Today, the use of finished fabrics in this form is very low. Only when a durable and hard fabric such as workwear is desired, they can be converted into clothing in this way. In order to make denim products different and to remove the hard attitude on the fabric, they started to undergo dry and wet finishing processes after the garments and sewing processes were completed and turned into clothes or as finished fabrics.
While the dry-applied finishing processes are various abrasion methods applied by mechanical means, the wet-applied finishing processes are the processes that are applied using various chemicals and give different effects. Dry applied processes; scraping, sandblasting, manual damage, tagging, laser burning (laser), resin (resin), ironing-creases and flat press), printing (print) can be sorted.
Processes applied as age; desizing – pre-washing (desizing), grinding (stonewash), enzyme wash (enzyme wash), bleaching (bleaching), dyeing (tinting – overdyeing), softening (softening), rinsing (rinse), washing with plastic balls (rubber balls) can be sorted.
It is possible to multiply the given examples. These processes can also be used in combination.
Enzyme and stone washing processes, which are widely used in these processes, come to the fore. Before processes such as enzyme and stone washing, the sizing agents that form a slippery film layer on the warp threads must be removed. Sizing agents, which contribute to strength while reducing friction, increase efficiency in weaving. However, the film layer formed can cause problems in terms of washing processes. Therefore, it must be removed. The process, which takes about 20 minutes, is a process that does not discolor the fabric itself, using wetting-based or softening chemicals. The structure of the sizing material used determines how the process will be applied. Generally, when using water-soluble sizing agent, it is washed by adding wetting agent. For water-insoluble sizing agents, the sizing is first rendered water-soluble by enzymes.
Stone Washing
Stonewashing is the process of dyeing fabrics in an aqueous medium by utilizing the low rubbing fastness of indigo dyestuff. pumice stone It is processed in industrial washing machines for periods ranging from 30 minutes to 1,5 hours with natural stones called natural stones. Denim products are washed with pumice stones until the desired color is obtained. Pumice stone has an abrasive effect on the fabric and prevents the paint from sticking to the fabric again. At the end of this washing, the fabric gets old and used air. In addition, the effects gained are particularly effective on puckers and seams. With grinding, the handle of denim products becomes softer. While the colors of denim products change with the processing time, the color becomes lighter as the time increases. However, the use of stone; This can cause problems such as excessive wear of the machines, blockages in the drainage lines, excessive wear of the washed products and the appearance of broken traces, the need for new areas for the storage of stones, the need for a lot of labor to clean the waste water and remove the dust from the finished pants.
Enzyme Wash
The enzymes most commonly used in denim washing are amylase, lactase and cellulase enzymes. While amylase enzymes are used for desizing, laccase and cellulase enzymes are used instead of pumice stone to lighten the color of denim fabrics and give them a different look. However, cellulase enzymes are mostly used because of the back-staining problems of laccase enzymes. In fact, most of the enzymatic treatments with cellulase are used to remove heavy chemicals from cellulosic fibers or to achieve new finishing effects. There are two types of cellulase enzymes on the market. These are acidic cellulase and neutral cellulase. Biopolishing is carried out with acidic cellulases to remove the fiber ends protruding from the fabric surface. Effects on the surface of the product after the biopolishing process; reduction in pilling tendency, minimum hairiness on the product surface, a soft handle and drape.
Neutral cellulase enzymes are used to give denim products a surface effect and a new finishing effect. Neutral enzymes are preferred because of less back dyeing and less strength loss in the denim industry. Since it is more sensitive to pH, a safer washing is achieved. Since acidic cellulases are more aggressive, they negatively affect tear strength. The purpose of enzyme washing is to obtain clothes with the desired color effect but with less wear. Thus, the life of the denim product can be longer than washing with stones. With the enzyme washing method, the amount of pumice stone used in denim grinding, which has a long history, has decreased. Today, there are three ways to achieve the grinding effect. The first classical way is washing with pumice stones. The second is washing with neutral cellulase enzymes only. The third is the washing method in which pumice stone and enzymes are used together.. Achieving the desired etching effect; It can be done by adjusting the machine type, liquor ratio, fabric amount, stone amount and enzyme amount. Processing time can be reduced by using more cellulase enzymes
SAFE AND CORRECT HAND TOOL USE RULES
1-Make sure that the size of the wrench corresponds with the size of the nut/bolt.
2-Do not use screwdrivers instead of chisels or crowbars.
3-Make sure that the size and type of the screwdriver and the size and type of the screw match each other.
4-Use the control pen as intended, do not use it as a general purpose screwdriver.
5-Do not use products such as pliers-side chisels-T Allen as a hammer, and do not hit the handle and jaw parts.
6-Do not cut hard steel wires with pliers or thin scissors.
7-Do not use the hammer on materials harder than its own hardness and do not work with the corner parts of the hammer.
8-Do not attach an extension arm to any hand tool to gain more force.
9- Pay attention to the direction of rotation of the wrench, especially in wrenches and pipe wrenches. In such products, the movable jaw should not be loaded.
10-Do not use pipe wrenches with worn threads.
11-Use a pipe wrench suitable for the diameter of the material.
12-Do not use socket wrenches with air gun. Prefer sockets specially produced for air guns.
13-Be careful not to wear out the ends of the ring collets.
14-Use hand tools for their intended purpose.
15-Do not apply chemical processes, sharpening and welding processes to hand tools. Do not modify the shape of the instruments.
16-Do not use worn and faulty hand tools.
17- When moving the wheeled repair cabinets from one place to another, make sure that the drawers are closed and that the cabinet is locked.
18- During operation, make sure that all the drawers of the wheeled repair cabinets are not open at the same time. Otherwise, the balance distribution of the cabinet will be disturbed and it may be overturned.
19-After using hand tools, make sure to keep them clean and well maintained.
20- Be sure to use personal protection equipment suitable for your working conditions.
REQUIREMENTS FOR USING HAND TOOLS
1. Make sure that the hand tool you will use is suitable for the work you are going to do.
2. Hand tools; If it has a stem, make sure it is from a knotless tree, with rounded edges, without splinters, straight, and of the appropriate size.
3. If the handles of the hand tools are loose, tighten them before use.
4. Use the appropriate wrench for tightening or loosening the nut. Do not use pliers or similar tools.
5. Do not extend normal lever wrenches by threading tubing or the like.
6. Do not use keys as hammers.
7. Secure the work being worked on to the table.
8. Do not carry hand tools in pockets, use a tool bag.
9. Do not apply excessive pressure or force to any tool.
10. When working with hand tools, use protective materials such as glasses, apron and gloves when necessary.
11. Be careful not to get your fingers, hands or clothes caught when using portable tools whose cutting edge rotates at high speed.
12. Do not leave tools without taking necessary precautions against falls from overhead.
13. Follow special instructions when using electric, hydraulic, pneumatic and all other hand tools.
14. Keep hand tools such as axes, cutters, and cleavers always sharp, make sure that their handles are inserted into the tool tightly and securely, and keep them in suitable sheaths, hangers and guards in case of wear.
15. In the case of pens, chisels (handled chisels), punches and similar tools, pencil tips, chisel blades and punch noses will always be sharp and appropriate for the job to be done, and have suitable shields, screens or similar guards when using them.
16. When you are not using levers and similar tools, do not leave them on the floor or on the bench and leave them upright, leave them lying down.
17. Files and rasps should have sturdy handles with metal collars or some other kind of handle. Do not use these tools without a handle.
18. Do not use files and rasps for chest opening, removing nails or hitting a hard object, do not hit them with hammers or similar tools, do not make tools such as chisels, pencils and staples from old files.
19. On the handles of the knives, if necessary, make hilt guards made of fiber, leather or stainless steel, put finger grips or shields.
20. Round the ends of the blades used for cutting rubber properly. 21. Place the jacks firmly and upright on the ground while the load is being lifted. After the loads are lifted to the desired height, do not work under or above these loads unless the jacks are fed with durable and suitable wedges and take the necessary precautions for lowering the loads with a jack.
22. When cutting taut wire, springs, and similar wires with pliers, wire shears and grippers, properly locate one of the cut ends of the wire.
23. Hand tools to be used in places where sparks will be dangerous should be made of materials that will not cause sparks. Do not use non-qualified tools in these locations.
24. Hammers, sledgehammers, pencils, chisels, staples and similar tools should be made of high quality steel in accordance with the standards. Correct their broken or burr head by grinding or filing.
25. Quenching or sharpening of hand tools, printing and repair work should be done by qualified workers. Properly protect their pointed or sharp ends when not in use.
26. Do not keep hand tools in the middle of floors, stairs, passages or any place where workers can use them as passages, and make suitable cabinets, hanging tables or shelves with skirts at least 2 centimeters high.
Upholstery fabricsAs in all product groups in the textile sector, it has changed and developed over time depending on customer requests/demands and fashion trends.
For this reason, the use of fancy yarns has become widespread over time and chenille yarns have had an important share in the production of upholstery fabrics due to many different reasons such as having a velvet-like appearance when woven and being produced economically.
Upholstery fabrics; Considering the place of use, they are textile products with low draping, more thickness compared to other textile products, higher weight and high fastness values.
As with all textile products, upholstery fabrics are expected to preserve their initial state as much as possible against the external effects it is exposed to. Because; It is desired that upholstery fabrics have high abrasion resistance and accordingly, no color changes in the washed or wiped parts (having high friction fastness value).
In addition to all these, since upholstery fabrics are used in the furniture industry, they are required to have a low cast, that is, a full handle, as they need to be easily shaped and retain their form.
Upholstery fabrics are widely used in the furniture and automotive industry.
In addition to its high wear resistance, of upholstery fabrics It is desired that it has a high staining resistance and an easy-care feature. During the use of upholstery fabrics, staining is usually caused by water. For this reason, staining resistance is increased by fabric production using hydrophobic fibers in upholstery fabrics and by creating hydrophobic surfaces with different finishing techniques (water, dirt, oil repellent finishes).
It is desired that the fabrics used in the upholstery industry have high abrasion resistance. One of the factors affecting the abrasion resistance of fabrics is the property of the yarn used in production.
Upholstery fabrics should be woven in a certain warp and weft density, taking into account the weaving limit. Since low weft and warp density will adversely affect the sewing shear strength of the fabric, the weft and warp density values should be high in upholstery fabrics, which is related to yarn count, type, yarn twist, etc.
Upholstery fabrics are classified in 11818 groups in the standard TS 14465 EN 7;
1- Plain Textured Fabric: The fabrics produced in different patterns by the different movements of the frames in the weaving machines with the weft and warp threads intersecting with each other at an angle of 90° are called plain textured fabrics.
2-Knitted Fabric: It is obtained by connecting the yarns fed from the creel with the help of circular or flat knitting machines, forming a loop structure.
3-Full Fabric: In addition to the weft and warp ground yarns in the plain textured fabric, the fabrics that contain a third yarn called pile yarn are called pile fabric. Pile fabrics can be produced in special 3-thread weaving machines, as well as in classical weaving machines with yarns that have pile structure in the yarn structure, such as chenille yarn.
4-Non-Woven Fabric: Textile surfaces produced by binding together the fibers that are too short and thin to be included in the yarn structure with known yarn production methods, by mechanical, thermal or chemical methods are called nonwoven fabric/surface.
5-Tufting Fabric: They are textile products created by giving a pile surface with the help of a needle to the surface fed in the form of cheesecloth. The appearance of tufted surfaces is likened to grass. Tufted fabrics are divided into two as velor and loop surface.
6-Flocked Fabric: The textile surfaces created using flocked yarn weaving or knitting technique are called flocked fabrics. It is known that the abrasion resistance properties of flock yarns are better than the abrasion resistance properties of chenille yarn. Textile surfaces created with flocked yarn are widely used in automotive and seat upholstery.
7- Raised Fabric: Raised fabrics are textile surfaces obtained by subjecting the raising process, which is the mechanical finishing process of flat woven textile products. With the raising process, a pile layer is formed by pulling the fibers onto the fabric surface. The raising process; It occurs when the fabric comes into contact with the rotating layer with the needles on a cylinder and the needles bring the fibers in the fabric structure to the fabric surface.
Upholstery fabrics; It is produced in classical and modern weaving machines and velvet weaving machines. Velvet fabrics are produced with 2 yarns, different from the classical 3-thread weaving. Two of these yarns are weft and warp yarns, as in classical weaving, and the third yarn is the pile yarn that forms the pile structure of the velvet fabric.
Velvet fabrics; It can be classified under two main headings in terms of production technique: weft velvets, which are formed by connecting the pile yarn with the fabric in the direction of the weft yarn, and warp velvets, which are formed by connecting the pile yarn with the fabric in the warp direction.
Velvet fabrics are also produced using jacquard velvet weaving machines and different colored pile yarns.
Upholstery fabrics produced from chenille yarn; Chenille yarn is called false velvet because of its appearance resulting from its pile structure..
Upholstery fabrics produced from chenille yarn, instead of using an extra pile yarn as in velvet fabrics; It is produced by incorporating chenille yarn, which is used as weft yarn, into the fabric structure. Since the use of chenille yarn as a warp yarn is not suitable, pile yarns cannot be placed in the warp direction, as in velvet fabric. The most preferred weaving machines for weaving chenille yarns; They are machines with shuttles and hooks. The most preferred of these two machine types is hook weaving machines. Weaving of chenille yarns is done with an auxiliary weft yarn. The raw material of chenille yarns, which is generally preferred in the upholstery sector; cotton, polyester, acrylic, viscose, polypropylene and mixtures of these raw materials.
Carding machines are machines that can draw in lamellas, forces and card at the same time.
Strength section: The process of passing the warp threads in the warp beam on the weaving loom or in a separate place from the strengths in accordance with the drawing-in report is called drawing-in.
This process is not done for fabric types whose draw-in pattern will not change, because the yarns of the other warp are tied one by one before the warp ends. If the drawing-in report is to be changed, the warp threads are usually drawn in a separate place on the weaving loom. The important thing here is to do the drawing in very carefully by adhering to the order specified in the drawing plan. Otherwise, since a row skip will disrupt the knitting structure, it will cause fabric defect, which is very difficult to compensate. The aim of drawing-in in weaving circles is to pass the warp threads through the strengths one by one according to the drawing-in plan. This process is done according to the drawing-in plan according to the weave of the fabric to be woven.
Powers are grouped in two magazine paths. After the powers are transferred onto the conveyor belt, the separation device separates the powers one by one. This then brings the forces into the starting position. Before drawing in, the comb and its strength are centered by optical centering. Developed forces are taken to the desired strength frame or power bearing bar, depending on the situation. The thrusters push the forces towards the frame or the power rods according to the drive report.
Yarn section: The yarns are separated from the warp layer stretched on the frame one by one using a separation unit and presented to the drawing-in hook. This hook returns after taking the yarn through the comb, the power and the lamella eye. After drawing-in through the lamella, power and comb, the yarn is released from the hook and held by the absorbent nozzle, the yarn sensor checks whether the yarn is drawn in correctly.
Lamel section: After the warp is attached to the weaving machine, lamellar stringing is performed in order to control the ends of the warp threads one by one during the weaving process. Lamellar is a wire or metal narrow and short warp element that is hung on each warp wire during warp preparation or weaving. The warp tension must be well adjusted in order for the lamella assembly to function well. Lamels have open or closed types. Closed lamellas are mostly used in warps drawn with automatic drawing-in machine. The open lamellas are stacked after they are placed on the warp weaving machine. The lamellae are arranged side by side in 4-12 rows. 4–6–8 row lamellas are the most commonly used in businesses. The ordinal numbers above this are used in silk weaving. If a warp thread breaks, the lamella attached to it falls down onto the lamella bars and stops the machine. When the lamellas fall down, they prevent the movement of the bars, also called lamella saws, and cause the machine to stop. Automatic lamella setting machines are generally used after warp drawing-in, that is, for open lamellas. There is a condition that the warp must be taken 1 to 1 diagonally. There are batteries that can be easily changed according to various lamella widths.
When the lamella is missing or the thread is not separated, the machine stops automatically and the signal lamp indicates the error. These machines can lay lamella on 8000 threads per hour. The coverslip group is prepared in the coverslip magazine. The coverslip separator separates the coverslips which are then held by the coverslip turner and brought into the drawing position. After the yarns are drawn, the lamellas are taken to the lamella slides. The desired lamella is pushed into the saw and lined up.
Reed section: Removal from the card is made according to the signs showing how many warp threads will pass through a tooth specified in the drawing-in report. The card is mounted on the card transport unit, which transports the card during carding. Optical comb monitoring and control controls the carding in accordance with the card thickness and the desired number of teeth. The comb blade enters between the teeth, opening the teeth quite wide, thus allowing the drawing hook and thread to pass unhindered.
It is the process of passing the warp threads passed through the reed teeth in the numbers specified in the drawing plan. The number of warp threads passed through each reed tooth depends on the width of the fabric and the warp density. The number of threads that will pass through the reed tooth and the reed number, that is, the tooth density in the reed, are selected depending on the warp density. This process is done by a single person with a small crochet-like tool, as well as in automatic or semi-automatic drawing-in machines.
Control cabinet: This cabinet houses the electrical control of the system and the central power supply that provides all the voltage necessary for operation. The control system, which has a hierarchical structure, communicates with motors and progressive digitizers through processor modules. It also communicates with solenoid valves and sensors through distribution circuits.
Operator console: The drawing-in machine is controlled and programmed with a keyboard located on the operator console. The screen shows the requested information in the language of that country in text and partly in graphic form. The status of the machine and the stages of the drawing-in process can be seen at any time. Programming the drawing report and its parameters is also performed on the operator console. The operator console also provides statistical data on machine operation and maintenance information. If necessary, the machine can be stopped immediately with the emergency stop button. There is a host computer and a floppy drive located under the console's cover.
Classic cardboard drawing-in machines are also used in enterprises as drawing-in machines. For this type of drawing-in machines, there are dobby cardboards used in shedding systems in weaving machines. The task of these cardboards is to determine which frame will have the warp thread on the drawing-in machine by processing the knitting of the fabric to be woven on the endless cardboard.
The drawing-in cardboard to be prepared according to the weave of the fabric to be woven is mounted in the cardboard slot of the mechanical drawing-in machine. With the action taken in line with this report, the force passed through the warp thread is added to the appropriate frame with the help of needles. There is no computer-aided work in the drawing-in process to be performed on mechanical drawing-in machines. Generally, the majority of transactions are carried out by working personnel. The mechanical nature of the drawing-in machine causes a loss of time compared to modern drawing-in machines.
Drawing in a Drawing Machine
Modern drawing-in machines are manufactured in such a way that they can draw in lamellas, forces and card at the same time. The warp remains in the drawing-in carriage throughout the drawing-in process. It is fixed from above and below with the help of clamps. After the process is completed, the drawing-in car is driven into the workbench and connected to the drawing-in machine. There is an electronic screen on the machine where all processes are followed during the drawing-in process. As a normal drawing-in principle in the machine, a warp wire is passed through each power eye. However, if a different number of warp wires will be passed through the power eye on the edges, this instruction must be entered into the machine by the worker.
A flexible awl is used for the process of passing the lamellar and strength eyes of the warps. Yarns, lamellas and power are taken by the holders one by one, they are made ready for the process and their drawing is done. The drawing plans can be given to the machine electronically by transfer diskettes or by the central transfer network. This information is scheduled and maintained by the control terminal. After the drawing-in process is completed, the drawing-in machine leaves the system and the warps remain in the drawing-in car to be placed on the weaving machine.
After the drawing-in process is completed, the warp beam, frames, reed and lamellas are transported by the drawing-in car and placed in the weaving machine. This system can also be used for disassembly and transportation of weaving machines.
Points to be Considered During the Operation of the Drawing Machine
Undesirable errors may occur due to various reasons during the drawing process. These are the errors such as cross error, lamellar misalignment skipping error, drawing-in error, card-in-drawn error and comb scar. These errors are generally encountered in the manual drawing-in process. Considering these errors in the drawing-in process with the machine, it will be ensured that quality products can be produced as a result of more precise work. In mechanical drawing-in machines, it is imperative that the drawing-in element constantly monitors the power of the drawing-in and the card drawing-in process and solves the errors instantly. The main controls to be made on the fully automatic drawing-in machine are listed below:
1- Buttonhole perception adjustment control,
2-Control of the lamellas,
3-Power control,
4-Control of the drawing needle
5-Control of the weaving reed,
6-Warp ends draft control,
7-Report repeat control
It is described as passing the warp threads on the warp beam coming from the drawing-in warp circle in a certain plan (according to the drawing-in plan) through their eyes and the teeth of the weaving reed. This process is done manually or by machine.
The fact that the rate of errors is high and the process takes more time in the manual drawing-in process has developed the enterprises.
led to the use of electronically equipped machines and systems. Common mistakes in manual drawing-in processes in small weaving enterprises that have not been automated are as follows;
1-Cross error
2- Lamellar syntax error
3- Power drawing error
4- Carding error
5- Comb trace.
Drawing errors are usually easily corrected when they are noticed outside of the power draw. However, it causes loss of time, which is more important for businesses than reaching financial resources.
Materials Used in Making Extraction
In the drawing-in process, the warp beams taken in the warp circle and adapted to the characteristics of the fabric to be produced are processed. Since the previous operation will be continued on the correctness of the previous process in the drawing-in and other preparation processes, the warp thread to be used in the drawing-in should be transferred from the warp circle as the necessary information and warnings are specified, without any damage in the drawing-in room. In order to work easily and comfortably in the manual drawing-in process, auxiliary parts such as drawing-in table, frames, power rods, lamellas, weaving reed, comb and power needle are used.
Manual drawing-in is done by two workers in a controlled manner. In the manual drawing-in process, all the frames are hung on the drawing-in table. According to the plan, the worker behind the stand, called the drawing backer, hands the threads one by one to the worker, who is standing in front of the table, one by one, called the drawing-in leader. The draw-in pioneer examines the strength of the warp threads given by the power crochet and the draw-in backer one by one. The power board is started from the left side of the first frame. What needs to be considered in this process is to act in accordance with the drawing-in report. The second process is to pass the warp threads taken from the power through the reed teeth.
Drawing Table
These are the tables that provide a simple working environment consisting of metal parts on which the drawing process is done. It is a system in which two elements called pioneer and backer can work in order to carry out the drawing-in process.
Frames
They are the most important parts used in weaving machines to make the desired up-and-down movement (suitable for the weave of the fabric to be produced) of the forces on it in the opening of the shed and the warp threads passed through the eyes of these forces. The strength of the fabric to be woven varies according to the knitting report. The number of forces to be loaded on the frames may vary according to the frame width and the type of weaving machine.
powers
They are metal parts that enable the warp threads to be attached to the frames in groups or are free in the jacquard system. They are metal wires or plates on which the warp threads are passed through the hole called the power eye. In order for the warp threads to form the shed, they must be oriented up and down according to the knitting movement. It is a drawing element that has a high importance in the formation of the shed, which ensures that this movement is delivered to the warp through the frames.
Lamels
Lamels are part of the warp control system. Lamel throwing is also done by the collectors. Lamel is thrown on all warps, one for each warp wire. Lamel throwing is done after the warps are taken to the machine and tied. In order to control the breaks of the warp threads, they work in combination with a mechanical or electrical system and ensure that the weaving machine is stopped as soon as the warp thread breaks. Lamellar structure is produced as open or closed bottom part. They perform their duties on metal sheets called saws. It is possible to attach the types with open bottom to the machine after the drawing-in process is finished. Closed types should be done before starting the drawing-in process, before the warp threads are passed through the lamellar eyes.
Weaving Reed
It is the part of the weaving machine that ensures the uniform and homogeneous distribution of the warp threads to the fabric to be woven. It provides the adjustment of the width and density of the fabric. They are made of thin metal plates attached at their ends to various metals and plastics. The space between the two metal plates is called the comb tooth. The number of this space in 10 cm is expressed as the comb number. It helps to define the combs according to the frequency. The increase in the frequency of the comb means that the ratio of the density of the fabric to be produced is higher. The comb is a mobile auxiliary part for the weaving machine, which is made with interchangeable frequencies. While choosing the reed number, the width of the fabric, the warp density, the knitting pattern, the warp color pattern, the thickness of the warp threads and the thickness of the knots should be taken into account.
Comb and Strength Crochet
It is an auxiliary drawing-in element made of metal, which is used in the weaving machine to pass the warp threads through the reeds and strengths in the weaving preparation for breaks that may occur during production and while drawing-in. They are called comb pull and pull power. They are hand tools that each drawing-in and weaving element should have with them during work.
Manual Lamella Assembly
It is the process of passing warp threads through lamellas arranged on metal sheets called saws. In the open bottom of the lamellas, the warp thread is passed through the hole of the lamella and left in its slot on the saw. The lamellas with a closed bottom are first passed through the saws and the warp thread is passed through the lamella eye while the lamellas are on the saw.
Manual Power Drain
When drawing power manually, there is a need for the cooperation of two elements. In the task distribution, the first element is the process in which the first element complies with the order of strength (including the frames) according to the knitting report, passes the power in his hand through the eye of the crochet, and pulls the warp thread to be given by the second element. Although the procedure is simple, it requires great care. Resolving possible mistakes will cause a waste of time. In addition, non-compensation will cause the image of the fabric to be woven to be produced in a structure other than the desired weave.
Hand-Drawing
The comb, which ensures that the warp threads are compressed onto the fabric surface after they are passed through the mouthpiece opened according to the knitting report, is located on the mechanism called the tee. One or more warp threads to be passed through the reed to be used are at the beginning of the important processes that should be considered after the necessary calculations. In addition, the comb should have sufficient capacity considering the position that the total number of warp wires passes through one or more. If there will be excess in the width of the comb on the comb, this part is not left on one side of the comb, this gap is calculated and left equally on both sides. The width used on the reed for warp threads is called the useful reed width. After the necessary calculations for the card, the card drawing-in is carried out by starting the warp threads from the left or right side by using the reed drawer.
In weaving, the process of passing the warp threads through the eyes of the frames and between the reed teeth according to certain rules is called drawing-in. The first stage of the drawing-in process is the drawing-in power, and the second stage is the carding-in. Both of these processes need to be shown in a plan system. The drawing plan represents the power and the comb plan.
The drawing-in plan shows at least how many frames a weave can be woven and which warp should take place in which frame. It is located at the top or bottom of the knitting on the pattern paper.
The drawing plan is drawn on the basis of the report of the knitting to be woven. The basic rule in drawing-in plan is to determine the warps that make the same movement (same connection type or same warp thread movement) in the knitting pattern and to indicate that these warps belong to the same frame.
The dots indicated by the solid on the pattern paper indicate that the warp thread passes over the weft thread. Empty dots indicate that the weft thread passes under the warp thread.
For example; The odd-numbered (1.3.5.7...) warp threads that make up the plain weave are gathered in the same frame as they make the same movement, that is, the same connection. Similarly, even numbered (2.4.6.8...) warp threads form groups and take place in a separate frame. Since there are two different warp movements in the plain weave pattern, the plain weave is woven with at least two frames. In this case, the number of frames required for any weave to be woven is equal to the number of different warp movements in the weave pattern. The method generally used in drawing the drawing-in plan on the pattern paper is to place the drawing-in plan on the knitting pattern and leave a line for each frame. The square at the intersection point of the column showing the warp thread and the row showing the frame it belongs to is filled in. The same process is repeated for all warps in the knitting pattern and drawing-in plan is drawn.
While drawing the drawing-in plan, the numbering of the frames can be done in two ways, depending on how the weaving machine or sample loom works.
When the numbering is done starting from the frame furthest from the fabric, on the pattern paper, each row from top to bottom represents a frame. The square at the intersection point of the column showing the warp thread and the row showing the frame it belongs to is filled in.
When the numbering is done starting from the frame closest to the fabric, each row from bottom to top represents a frame on the pattern paper. The square at the intersection point of the column showing the warp thread and the row showing the frame it belongs to is filled in.
The warps that make the same movement while creating the drawing-in plan can be distributed to more than one frame in order to reduce the load on the frame. In other words, if we divide the total number of warp threads by the number of frames to be used, we will have determined the warp threads per frame. In this case, the number of frames should be a multiple of the number of warps in the knitting pattern. For example, the plain weave can be woven with 2, 4, 6... frames instead of 8 frames. However, warps with different connection types cannot be gathered in the same frame.
CARD PLAN
The reed plan shows how many warp threads the reed must pass through a tooth space. The carding plan is located between the drawing plan and the knitting report on the pattern paper. In the reed plan, each square of the pattern paper in the horizontal direction represents a warp thread. The squares are filled side by side as much as the number of wires that will pass through a tooth cavity. Two lines are used throughout the knitting pattern so that the two adjacent tooth spaces do not mix.
If two squares side by side are shown as filled; During the carding process, two warp wires will be taken from each tooth space.
If one square is shown as full; It was stated that one warp wire should be taken from each tooth cavity while the carding is being done.
The number of wires passing through the tooth cavity is usually selected in accordance with the knitting pattern. For example; for a plain weave fabric, this number might be 2, for a 1/2 twill weave fabric, and 3,5 for a 5-ply satin weave fabric. Apart from this, criteria such as warp density, desired fabric feature and yarn feature are also taken into consideration. For example; For the proper distribution of warp threads in tulle and organza type fabrics, it is appropriate to take one wire from each tooth cavity. In some fabrics, it may be necessary to create different warp densities in different areas of the fabric width. In this case, the number of wires passing through the tooth cavity does not remain constant while the card is drawing in. It changes to produce a repetitive carding report.
In weft weaving, it defines the two yarn systems that make up the fabric, which are located towards the width of the fabric. The weft threads are at right angles to the warp threads.
The system is different in modern weaving machines. Weft thread is thrown into the nozzle by shuttle (projectile), rapier, airjet, waterjet systems. The weft insertion amount has reached up to 600 beats per minute with these methods. The weft is unwound from the bobbin onto the cylinder. It is taken into the mouthpiece from the cylinder without impact and at a constant speed. The brake device releases or brakes the weft thread in accordance with the rhythm of the weaving machine..
In weaving machines, the triangular cross-section tunnel formed by dividing the warp threads into two layers before the weft is thrown is called the shed. Various systems have been developed to determine the warp threads that should be above or below the weft thread recorded through each opened shed. Each of these systems constitutes the shedding systems.
Eccentric shedding systems are divided into two according to their mounting positions on weaving machines. In eccentric weaving machines, the eccentrics to control the frames are prepared according to the dobby plan of the knitting. It is conveniently placed on the camshaft. Eccentric Shed Openers;
- INTERNAL ECCENTRIC
- EXTERNAL EXCENTRIC
is divided into two. They are metal plates that are mounted on a rotating shaft in mechanical weaving machines and transmit the movement to the frames when opening the shed.
Shedding in 3 ways on weaving machines
can be opened:
1- Opening the mouthpiece with the eccentric
2- Shedding with dobby device
3- Shedding with jacquard device
Shedding with contraaj, which is one of the above mentioned shedding systems, is used in hand weaving machines. Today, it is used in bed-quilt face, towel and tulle weaving in many parts of Anatolia. It is a simple and less costly weaving form. Other systems should be examined more broadly.
1. Eccentric Shed Opening Systems
Two types of machines are encountered in the eccentric shedding system.
a) Internal Eccentric Weaving Machines
The lengths of the eccentrics in these machines are different from each other. The length of the eccentric that moves the 1st frame is larger than the size of the eccentric that moves the 2nd frame. The eccentrics are fixed to the knock camshaft, which is located below the crankshaft, while the knitted rag. Although these machines work up to 6 to 8 frames, it usually does not exceed 6 frames. It is the small diameter of the eccentric that lifts the frame in internal eccentric workbenches. What brings the frame down is the large diameter of the eccentric.
b) External Eccentric Weaving Machines
In order to increase the number of frames, it has been thought to operate the eccentrics outside the workbench in opening the eccentrically. Although it is possible to operate more frames this way than with internal camshaft machines, this is also limited. So it can be removed up to 8-12 feet.
If we examine the arrangement; The eccentrics on the cabinet shaft are lined up for a certain weave. Eccentrics are in contact with the feet by means of relays. The feet move on their own axis. A rod fixed to the feet from the end is connected to the arms and the nozzle is adjusted by means of a bolt. The arms pass on the square shafts. These four corner spindles will be as many as the number of frames that extend along the bench and can move within two beds.
2 - Dobby Shedding Systems
The opening of the mouthpiece in benches operating up to 18 frames efficiently is done by dobby systems. Patterning possibilities are more compared to the eccentric shedding system.
A dobby system consists of different methods and elements in some machines, but in each these basic elements exists ;
a) Frame
b) Frame dobby legs
c) log
d) Pattern cardboard
e) Pattern reader elements
f) Knives
g) Dobby foot sinkers
There are three important movements in the dobby system. :
a) Movement of the blades
b) Movement of sinkers
c) Movement of drum and carton
Dobby Features
1- It is a closed mouthpiece. (The mouthpiece is closed when the tambourine tightens the scarf.)
2- It opens a double mouthpiece.
3- If a frame is up and the same frame should stay up in the second movement, that frame goes up after it goes down.
4- Frame movement is positive.
5- It is the role that lifts the frame up. It's the empty pipe that goes down.
6- The log makes 1/6 revolution in each weft.
3- Jacquard Shedding System
Jacquard system shows a different structure compared to other systems. In the eccentric dobby system, the warp threads are moved by the frame groups for the formation of the shed. In the jacquard system, the warp threads are controlled one by one for the formation of the shed. For this reason, the jacquard system is more convenient than the eccentric and dobby systems in terms of patterning possibilities. Jacquard machines are examined in two systems as single log and double log.
It is a shedding apparatus installed vertically on the loom. In addition, the machine has given us the opportunity to make very different patterned fabrics with its perfect mechanical properties. The jacquard machine is a system consisting of a series of needles (reading the pattern and programming the machine) and a series of platinum (which allows opening the mouthpiece through the swivels). Any loom with a set of holes can be turned into a jacquard loom by attaching a jacquard machine to it.
Since the jacquard machine is an apparatus installed in addition to the loom, they are related to each other in two ways;
1- The loom moves the jacquard machine.
2- The jacquard machine works and opens the shed on the loom by means of the leotards.
Jacquard shedding machines represent the highest level among shedding systems. On these machines we can weave the most intricate patterns, paintings or landscapes. This wide patterning possibility is due to the fact that the system can move a large number of warp threads separately. Jacquard system shows a different structure compared to other systems. For the formation of the shed in the eccentric dobby system, the warp threads are moved by the frame groups. In the jacquard system, the formation of the mouthpiece is controlled by malion groups attached to the sinkers. For this reason, the jacquard system enables the weaving of very large pattern groups compared to the eccentric and dobby systems in terms of pattern making possibilities.
- 1-Weaving loom moves the jacquard machine.
- 2-The jacquard machine works and opens the shed on the loom by means of the leotards..
JThere are two basic movements in the flow mouth opening system.:
1-Right and left movement of the log:
It moves the cardboard by turning a little with each thrown weft. In addition, it allows the paper to be read by pushing the east cartons to the log pins.
2-Blades up and down movement:
It transmits the movement it receives from needles and sinkers to the mallion threads and thus to the powers, thus opening the weight. Below are the main elements of the jacquard machine.
- It is a rectangular, hexagonal or round (cylinder) shaped piece with as many holes as the number of needles or sinkers on it. Its task is to make the cardboards punched according to the jacquard pattern ready for the next reading for each weft.
- Jacquard cardboard is plastic or paper suitable for work, which moves the needles and punches holes according to the pattern in order to move the warp threads in the desired way. There are two types in terms of general characteristics. These are segmented and endless cartons.
- There is a separate cardboard for each scarf and these pieces are used by sewing them together and making them endless. It creates many problems during use and during drilling.
- All the scarves used in the pattern are used by punching on the same cardboard. This cardboard is easy to use both in the punching phase and in the working phase. Plastic or paper material is used for endless cardboard.
- They are the parts that move the sinkers according to the filled and empty points on the cardboard. While there was only one group of needles in old jacquards, three types of needles are used in today's mechanical jacquards, namely steel needle, pointed needle and long needle. Behind the long needles are springs that push them back into place when the pressure is released when they are pushed back. These springs are collected in the spring box. The needles are located vertically relative to the sinkers and horizontally relative to the jacquard machine.
- It is the basic element of the jacquard machine. With the help of needles, the upper parts can be moved left and right. If the weave is full (warp up), its blades stay in the domain, or if the weave is empty (warp down), it is pushed out of the domain. It is a double hook model for new machines with single hook in old types. The number of sinkers on the jacquard indicates the jacquard capacity.
- The warp threads must be lifted up so that the net can be opened. As mentioned before, the sinkers and the associated mallion threads do the lifting of the warp threads. Briefly, the right of the pen, with the lifting of the sinkers. The jacquard element that provides the upward movement of the sinkers is called the blade. The jacquard machine had as many blades as a row of sinkers. These blades are gathered together in the form of a frame in order to give movement from a single place and to provide movement integrity. This is called a knife table. The blade table raises and lowers the sinkers by moving from the bottom up in the jacquard skeleton with the movement it takes from the blade eccentric. There may be single-knife table jacquard machines according to their usage areas, or there are also jacquard machines that move at different times from each other, that is, two knife tables, one working from the bottom up and the other working from the top down. Single hook sinkers are used in machines with a single blade table. The hook of the sinkers is facing the blade and is within its range of motion. In addition, jacquard machines with double blade tables are more efficient than the other.
- Also called upper mortar. It is the wood that carries the platinums and has earring holes on it. The mortar board supports the sinkers and provides their balance. In some jacquards it is mobile, in others it is fixed. It provides a smooth opening of the mouthpiece by going down during the opening of the mouthpiece in mobile ones.
- They are grids made of glass rods for comfortable working of mallions and earrings. Malyon threads are oriented in these grids. Another task of these is to protect the mallion threads and prevent wear.
- Also called lower mortar or ramming board. Malyon board determines the width and density of the fabric. It has more holes than the number of mallion threads. A mallion thread passes through each hole. It determines the warp density and how many repeats the pattern is on the fabric, with the coin arrays made.
- It connects the mallion threads with the sinkers. It is difficult for mallions to be directly attached to sinkers in string changes and wear situations. In this case, earrings provide great convenience. They are made of metal or plastic.
- They are jacquard elements that systematically keep some of the warp threads up and some down and take action from the sinkers. There are power wires at the bottom. It is also called linen yarn.
- It is prepared as nylon, fishing line or knitting yarn.
- It is resistant to friction.
- The threads running through the mallion board are tied from the top of the power wires. These connections rub against each other due to the density. In order to reduce these frictions and prevent snagging, hoses are passed over the connections to ensure that the mallion threads are connected to the power wires in an easy and healthy way.
- Its strength wires are the wire through which the warps are passed through the middle strength eyes that enable the warp threads to open the shed. It is attached to weights, springs or tires from the lower part and to the mallion threads from the upper part.
- It is the jacquard piece that is used to pull the power wires and mallions down again according to the knitting. These parts are changed according to the thickness of the warp threads and the type of weaving. There are three types of retracting elements.
- The threads running through the mallion board are tied from the top of the power wires. These connections rub against each other due to the density. In order to reduce these frictions and prevent snagging, hoses are passed over the connections to ensure that the mallion threads are connected to the power wires in an easy and healthy way.
- Its strength wires are the wire through which the warps are passed through the middle strength eyes that enable the warp threads to open the shed. It is attached to weights, springs or tires from the lower part and to the mallion threads from the upper part.
- It is the jacquard piece that is used to pull the power wires and mallions down again according to the knitting. These parts are changed according to the thickness of the warp threads and the type of weaving.
- These are: iron bars (weights), tires and springs.
- In the mechanical jacquard system, the pattern is written by making holes on the warp wire jacquard cardboard for each weft.
- A hole is made on the cardboard for the warp thread that should remain above.
- Jacquard cardboard is located on the log.
- The log rotates one turn each time the weft is thrown.
- With each turn of the log, it moves towards the needles, allowing the cardboard to be read by the needles.
- The needles that come into contact with the non-hole areas are pushed by the movement of the cardboard.
- The needles that do not reach the holes in the cardboard slide to the right and push the sinkers attached to them to the right.
- This moves the blades out of the range of motion.
- The return of the sinkers pushed to the right when the cardboard pressure is removed is achieved by the flexibility of the sinkers and the springs at the rear ends of the needles.
- Since the needles coming into the holes in the cardboards and the connected sinkers do not move from their places, they remain within the movement area of the blades and are positioned to form a mouthpiece.
- For this, holes are made in the pattern cardboard for the sinkers and needles of the warps that are desired to rise.
- Likewise, the relevant part of the cardboard is not pierced for the warp wires that are required to remain under the weft.
- This is how the opening of the shed is carried out on jacquard weaving machines.
- The return of the warp threads, which are lifted up, to their lower positions is carried out by the retracting elements.
- In this type of jacquard machines, one weft is inserted in each revolution of the machine.
- The use of this type of jacquard machines is negligible due to their low speed and high power requirement.
- In this type of jacquard, there is a needle and a sinker for each warp thread.
- Each needle controls a sinker and is pushed towards the pattern cylinder by a spring in the spring box.
- These machines have a needle and a hook for each warp thread in the report.
- As seen in the figure, each needle controls a hook and is pushed towards the pattern cylinder by a spring in the spring box.
- To lift a string of hooks it is necessary to have one blade and for example 600 blades in a 12 jacquard.
- The individual movement of the blades is driven by the crank or by the chain from the crankshaft. The knives and the system they are connected to move vertically up and down once for each weft.
- The cards are tied together by sewing.
- The element that enables the rotation of the pattern card called log is seen as four corners.
- In addition, logs are produced in cylindrical, rectangular or hexagonal shapes.
- When the pattern cardboard is pushed towards the needles by the log, the needle with the hole against it will not be pressed since it will enter here, and the hook attached to it will not change its position, so it will be attached to the blade and lifted up.
- The warp threads controlled by the hook will also be raised for the weft to be thrown.
- If the hole corresponding to the needle is pierced, when the log comes to the left, this needle will be pressed, and by pushing the relevant hook to the left, it will remove it from the blade path.
- This hook and the warp threads it controls will stay down, as the knife does not get caught on the hook while it is moving up.
- Single stroke jacquard machines usually have a closed muzzle at the bottom.
- Two wefts are thrown in each revolution of the machine.
- It is the most used jacquard shed opening type in weaving machines.
- There are two knife groups, each mounted on a separate chassis.
- The two frames move up and down in the opposite direction and within the course of two wefts.
- Since each needle controls two hooks on these machines, there are 600 hooks in a 1200 jacquard.
- The wasted energy in single stroke jacquard is less on these machines. The speed of the machine is higher.
Jacquard cartons move the needles, causing the warp threads to move up and down according to the desired knitting pattern and provides the opening of the shed. Jacquard cardboards are punched according to the pattern in machines so that they can perform this function. Cartons are punched in two ways, mechanically and electronically.
Moreover...
Woven sandwich textiles are textile surfaces produced as double-layered fabric from two different woven fabrics. The production of sandwich textiles with the weaving technique can be carried out on pile fabric weaving machines. In these machines, two outer textile surfaces produced in sandwich form are combined with pile warp threads.
The threads, texture and patterns of the surfaces may differ from each other. In addition, the length, construction and structure of the vertical threads between the two surfaces determine the strength and stiffness of the sandwich textile.
In the machines used in the production of sandwich textiles, the shed is opened with dobby or jacquard systems and approximately 300 wefts can be inserted per minute depending on the yarn thickness and pile height. Polyester is generally chosen as the yarn because it can be worked easily and quickly. More plain or twill 2/2 is used as bottom and top texture. The connection of the pile tissue with the upper and lower tissue is made with a W or V connection. With this method, it is possible to produce sandwich fabrics with thicknesses ranging from 10 mm to 100 mm. Weaving technique is used in sandwich fabric production due to its advantages of high efficiency and the use of different monofilament yarns. Woven sandwich textiles have a more stable structure than those produced by other methods and are used in automobile interior components, sound insulation materials and surgical implants.
Sandwich textiles are textile structures with specific properties that cannot be met by conventional textile structures thanks to their special structures. The demand for sandwich textiles, which are the result of connecting two separate textile surfaces with a connecting thread or layer, has increased in recent years. Parallel to this increase, an increase has been observed in the researches conducted in this field.
Sandwich textiles, which can be produced with weft and warp knitting as well as woven or non-woven surface techniques, allow the use of different materials, have a flexible product range and three-dimensional structure, in many areas such as automotive textiles, medical textiles, geotextiles, sportswear, protective textiles and composites. finds use.
Sandwich fabrics are three-dimensional textile surfaces formed as a result of connecting two separate textile surfaces with a connecting thread or layer. The first patent on sandwich textiles was received by Matthew Townsend in 1868. Although it is not very new in terms of technology, its use in practice is new. Sandwich fabrics, which are among the fabrics produced in the technical field, are special textile structures that are produced with advanced machine technology and have features that cannot be met by conventional textile structures. The most prominent features can be listed as very good compressive strength, high air permeability, good flexibility, resistance to chemicals, high bending performance and draping. In addition, the physical properties that do not exist in any other structure, the possibilities of changing patterns and colors suitable for fashion changes, and the variety of usage areas increase the interest in sandwich fabrics.
SANDWICH FABRIC PRODUCTION METHODS
Sandwich fabrics, according to their usage and desired properties:
1-Non-woven surface
2-Weaving,
3-warp knitting
4-Weft knitting
USAGE AREAS OF SANDWICH TEXTILES
Sandwich textiles are used in many areas due to the use of different materials, a flexible product range and a three-dimensional structure. Especially the different design possibilities and having a wide range of patterns help these textiles to find new usage areas. Sandwich textiles can be used in a wide variety of areas ranging from the apparel industry to reinforcement applications. In the clothing industry, it can be used as underwear components, for example as padding for bras and swimwear, or as an insulating material for outerwear. In addition, sportswear, corsets and shoes are other areas of use. They have started to replace foam and foam composites due to their breathable structure, wearing comfort and washing resistance. Sandwich textiles are widely used in medical applications (bandages and therapeutic materials, compression bandages, patient beds and wheelchair covers to prevent bedsores. Especially air permeability and heat and moisture transfer properties provide a skin-friendly, breathable structure. Thanks to these advantages sandwich textiles provide the physiological comfort required for medical applications.
KNITTED SANDWICH TEXTILES
Knitting technique is the most used method in the production of sandwich textiles. Sandwich textiles produced by weft or warp knitting methods are known for their useful and bulky characteristics.
Warp knit sandwich textiles
Warp knitted sandwich textiles are produced only on Raschel machines with double needle rail. In this method, two separate fabrics produced on both needle rails of the machine are tied together with binding threads. The construction of the front and back surfaces of the fabric is selected according to the features expected from the product; provided by a combination of investment and drawing-in transactions.
Although “binding threads” are usually chosen from monofilaments, spun threads and multifilament threads can also be used. According to the properties expected from the sandwich textile structure, materials that are stable and able to meet the pressure are generally selected.
MESH FABRICS
Mesh fabric is a kind of pattern knitting, which means mesh.
It is the preferred product of recent years for chair faces. Sunbeds in hotels are preferred because they do not fade on their faces and do not wear out in contact with sea water. Since it is perforated, wetness and puddles do not occur on it.
Bleach is not used. It is cleaned with soapy water. It cannot be washed with gas, gasoline, diesel, thinner, acetone. Hand wash only with soapy water.
Air Mesh Fabric
The web thickness can be 12mm 3mm. It has high elastic flexibility, air permeability, water absorption ability.
It consists of three layers. Two separate needles join the bottom layer of the fabric together or fasten it with spacer threads. Because airmesh takes its name.
The features of the three layers are:
- First layer – hydrophilic structure
- Second layer – hydroscopic structure
- Interlayer – mono or multi-filament
It has excellent compression flexibility, Breathability / Air permeability, cushioning and insulation.
Cushion Mesh Fabric
Mesh thickness can be 12mm 3mm, Elastic resilience rate 93% mesh permeability, shock absorption and good elastic flexibility.
Applications:
1.Thin air mesh can be applied to clothing, bags, hats, shoes, baby carriages, etc.
2. Thick air mesh can be applied to mattress, automobile interior decoration, vehicle cushions, breathable shoe pads, moisture absorption and quick-dry medical mattresses, pillows, etc.
3. If composite materials are combined with mesh, it is possible to produce such partition material, construction, soundproofing table.
3D Air Mesh Fabric
In general, three-dimensional knitting is limited by the size of the knitting needle; openness
thickness and monofilament (mono yarn) size. Permeability and elastic flexibility applications are limited.
Usage areas
1.Thin air mesh can be applied to clothing; bags, hats; shoes, strollers; etc
2.Thick air mesh can be applied as mattress; automobile interior decoration; cushions; breathable shoe pads; moisture absorption and quick-dry medical mattresses; etc.
Knit fabrics can be cut in many ways, including:
- Leisure
- Ultrasonic
- Steel Rule Mold
- Hot Mold
- Razor blade
- Scissors
Laser cutting
Thanks to its versatility and sealing feature, it has become the most widely used technique. Cut edges. Laser cutters can cut any shape and in doing so glue the edges together.
Closed edges reduce the shedding of cut loops to the fabric edges and take care not to create debris during the cutting process.
If cuts or slits occur in the machine (warp) direction of polypropylene knit fabrics, a reinforcement stitch should be placed at the end by the manufacturing process or the end user.
Knit fabrics can relax when cut from supply rolls, meaning they can be retracted in length and expanded in width by several percent. The web is wound into rolls under tension. Although the tension is low, the fabric can be stretched. When some fabric unwinds from the roll, it may retract due to loosening. If this loosening is a problem for your final part dimensions, then it should be loosened. The fabric is pulled from the roll and allowed to relax without tension.
Sterilization
Polypropylene-based products can be sterilized using a steam autoclave, super carbon dioxide. Polypropylene should not be sterilized using irradiation (techniques such as gamma or beta irradiation as the polymer will degrade significantly)
RISTOP FABRICS
Meaning of Ripstop in English indestructible means. Therefore, this fabric is also on the market. ripstop fabric known as. The biggest feature that distinguishes this fabric from others is that it is ripstop fabric. Ripstop fabric is a fabric known for its durability and waterproofness. They are both waterproof and dry very quickly when wet. With this aspect, it is a type of fabric that does not upset those who really prefer it.
The tear-proof structure emerges with the special knitting technique used in production. In the knitting of the ripstop fabric, the threads are positioned crosswise and tightly. This technique creates tiny square patterns on the fabric. Square-shaped webbing cells prevent the hole from growing in cases such as a puncture. ripstop woven fabrics falls into the category.
Ripstop fabrics are a fabric with the appearance of large and small squares. ripstop knitting The fabrics known as 'embroideries' are generally used as work clothes, security uniforms, extreme sports and camouflage. Military clothing is also produced from these fabrics, as they are resistant to water and tearing.
Ripstop fabric content is generally; %one hundred Polyester, polyester /cotton, nylon/cotton or 100% from cotton It can be produced in various thicknesses. These fabrics can be made more functional by optionally applying antistatic, fireproofing and waterproofing finishes. The properties of the fabric are affected by the types of yarn used in production.
Ripstop Fabric Properties
- It is known as ripstop fabric.
- It is a thin fabric.
- It is not a very heavy fabric.
- Those made of 100% polyester, nylon or coated with them are windproof.
- Those that are 100% polyester, nylon, or coated with them are not waterproof.
- It is resistant to stains.
- Cotton blended ones are breathable. For this reason, 100% polyester or nylon is used in cotton blended outerwear in underwear.
- There are models with nylon coating on the front and back on the fabric. These models are of higher quality and do not stretch.
Main Usage Areas of Ripstop Fabric
Ripstop fabric is used in almost every area where durability is vital. industrial area, is one of them
In work environments where there are mechanical risks such as cuts and punctures, body protective equipment made of ripstop fabric prevents the body from being exposed to risk factors.
Ripstop fabrics are also used in situations that require fighting against the challenging conditions of nature. For outdoor sports and camping, the ripstop fabric provides puncture and cut resistance, as well as protection against wind, precipitation and cold.
In addition to these, this superior fabric is also found in military clothing, medical clothing, hotels and restaurants. Ripstop fabric is used not only in clothes, but also in carrier products such as backpacks. It is a fabric that can also be preferred in the clothing industry. It is especially used in military and police clothing. For coats and parkas, 100% nylon or polyester ones are preferred. In this way, the product is resistant to both wind and water.
Fabric production can be made possible by means of different methods in textile.
- Weaving
- Knitting
- Nonwoven surface creation methods
It is possible to produce traditional, two-dimensional fabrics.
Two-dimensional fabrics with anisotropic structure have a very low thickness value compared to the surface area, so they show low mechanical performance in the direction of their thickness.
Textile fibers and fabrics are widely used in the production of composite materials. Textile composite materials find application in many industries such as defense, medical, aviation industry.
Textile composite materials show higher mechanical behavior than metal and ceramic materials with their high strength values compared to their low weight.
- Composite materials produced with two-dimensional fabrics exhibit low mechanical behavior in the direction of their thickness, since they have low thickness values.
- Delamination problem, which is expressed as separation between layers, occurs in two-dimensional textile composite materials.
- The problems observed in two-dimensional composite materials constituted an important reason for the production of three-dimensional fabrics.
- Three-dimensional fabrics can be obtained by textile production methods such as weaving, knitting, nonwoven surface forming and diagonal knitting methods.
- Three-dimensional fabrics completely eliminate the delamination problem that occurs in composite materials.
In addition, it makes it possible to produce close to the shape of the final product desired to be obtained. Thus, a significant reduction in production costs and material waste amounts is achieved.
Production Methods of Three-Dimensional Fabrics
Three-dimensional fabrics can be obtained by textile production methods such as weaving, knitting, diagonal knitting, forming nonwovens and sewing.
Three Dimensional Knitting Method
The production of three-dimensional knitted fabrics can be achieved by weft and warp knitting methods, as in the production of traditional, two-dimensional knitted fabrics.
With the weft knitting method, it is possible to produce three-dimensional knitted fabrics with a shape very close to the desired end product.
Production of three-dimensional knitted fabrics on weft knitting machines;
The machines can be provided with modified beds and electronic equipment.
Another important advantage of three-dimensional weft knitted fabrics is that filling yarns can be included in the structure in the longitudinal direction if desired.
The most important problem experienced in these fabric types obtained by weft knitting method;
The structure is too bulky and void. The high number of voids per unit volume causes the fiber/volume ratio of the structure to decrease. This situation causes the structure to have a low strength value.
Three-dimensional knitted fabrics obtained with warp knitting machines have been in high demand in recent years compared to structures produced by weft knitting machines.
Three-dimensional knitted fabrics obtained with warp knitting machines;
Compared to two-dimensional woven fabrics, it has high elasticity modulus and strength values.
The reason for this difference;
- carbon fibre
- Cam
- Basalt vs.
The reason is that high modulus fibers such as warp knitted structures have less curls. Decreased crimp in the yarn structure causes an increase in strength. In addition, the preference of these structures instead of two-dimensional woven fabrics in the production of composite materials; It provides a significant reduction in the amount of fabric waste and production costs. The three-dimensional knitted fabric produced by the warp knitting method is shown below.
Three-dimensional warp knitted fabrics began to be produced in the early 1980s and used in the composite industry in the 1990s.
In these fabric types, due to their superior features such as low production costs and their ability to be designed in line with the desired properties;
- geotextiles
- Pneumatic systems
- Production of some parts for cars and airplanes
- Production of various body parts and artificial veins
They can be used in many different fields.
Production of these fabric types in warp knitting machines;
- It is achieved by laying the fiber layers in the desired direction and connecting these layers by means of a warp knitting loop.
Mayer and Liba companies make it possible to produce these structures with different production techniques. In the system developed by the Mayer company, four different fiber layers are deposited in the 0˚, +45˚, -45˚, 90˚ directions and produced by binding with a loop. In the method developed by the Liba company, the number of fiber layers included in the fabric can increase to seven. Below is the production technique of Liba company. Liba production technique also makes it possible to include nonwoven fabrics in the system.
The fiber layers in the structure;
While adding strength to the structure in the desired directions
Warp knitting loop;
It increases the strength of the structure in terms of thickness.
Loop in three-dimensional warp knitting machines:
- The use of such equipment as chain
- trikot
It can be obtained in two different ways. While providing the integrity of the structure, the loop creates a significant increase in strength and damage tolerance. Damage tolerance is a structural property of the material. It can be expressed as the ability of the material to keep the reliability of the material within certain limits until the repair process occurs.
Three Dimensional Nonwoven Surface Creation Method
In three-dimensional nonwoven surfaces, there is no connection between the yarns that make up the structure. These structures can be produced by needling and stitching methods.
Threads in the needling method; It is deposited into the system in the desired directions, but there is no connection between these yarns. Then, by means of needles, the fibers in the yarns pass through each other and merge and form a surface. Below, a surface created by the needling method and its production method are visually expressed.
In the stitching method, the layers formed by the fibers or threads are combined with the sewing process. In this process, the type of sewing, the type and number of sewing thread, and the density of the seam per unit area are of great importance.
The sewing thread density on three-dimensional nonwovens is between 0,4 – 25 stitches/cm². Usually as sewing thread kevlar is preferred. Because Kevlar has high strength and flexibility values compared to other fibers.
In machines where nonwoven surfaces are obtained by sewing, the sewing head can be one or more. The main problems for these machines are that the number of sewing heads in the machine is limited, sewing can be done up to a certain surface thickness value, and the surface can be obtained at a limited width.
Today, industrial machines can work with a maximum width of 1 m and a surface thickness of 5 mm. The machine used by NASA to obtain these structures is 28 m long, can sew at 15 m, and can sew on surfaces with a width of 3 m and a thickness of 40 mm.
The production of three-dimensional nonwovens is easier and cheaper than two-dimensional woven fabrics. At the same time, the fatigue and impact resistance of composite materials obtained with these structures are higher than traditional woven fabrics.
It is an important problem of these structures that curved areas in complex shapes are difficult to sew with today's industrial machines.
Not enough studies have been done on issues such as stitch density, thread type and number. The fact that these issues are not clarified is another important reason why their use has not increased. R&D studies are required in this regard. However, it is an inevitable fact that a solid contract that protects the rights of both parties in these R&D studies, as in other fields, is made.
Three Dimensional Diagonal Braiding Method
The three-dimensional diagonal knitting method is the first method used in history for three-dimensional fabric production.
In the late 1960's;
- It is produced with the aim of reducing the weight between 30-50% in the rocket engine compared to metal alloys.
Three-dimensional fabrics obtained by the diagonal knitting method;
- Medical
- Space
- Transportation
It can be used in many different fields.
With the diagonal knitting method, it is possible to produce structures that are very close to the final shape. This situation significantly reduces production costs and the amount of waste yarn and fabric. Three-dimensional composite materials produced by the diagonal knitting method are shown below.
In the three-dimensional structures obtained by the diagonal knitting method, there are two different yarn groups as axial and knitting yarns;
- axial threads; While the strength is included in the structure in the desired direction, the yarn connections are provided with knitting yarns. Knitting yarns are fed to the system from the shuttles.
- knitting system knitting yarn provided by the displacement movement of the coils.
Diagonal knitted fabric, knitting yarn bobbins and bobbin mechanisms are shown below.
- Three-dimensional diagonal knitted fabrics can be produced angular or circular.
- The production of these structures is done in circular or angular machines, depending on the purpose.
- Three-dimensional diagonal knitted fabrics are classified according to the number of steps.
Knitting process occurring in one revolution of the machine; represents my name. Three-dimensional diagonal knitted fabrics can be two, four or multi-stepped. Two-step diagonal knitting method It was developed by Popper and McConnell in 1987.
Below are the unit knitting patterns of two- and four-step diagonal knitted fabrics.
The production of small-sized structures with three-dimensional diagonal fabrics is a very cheap and easy process. Various problems arise in the production of fabrics with a width over 100 mm by diagonal knitting method. Because the increase in the size of the product to be produced reveals the necessity of increasing the size of the machine.
The most important reason why these structures are not widely used in aircraft production;
- It arises from the fact that the cost is quite high and the process is difficult due to the size of the machine that can produce the structure.
Modulus of elasticity in composite materials formed with three-dimensional diagonal knitted fabrics;
- The diagonal angle formed by the knitting yarns varies depending on the variables such as yarn counts and knitting patterns.
The other cons of the structure are that the strength values of the composite materials created with three-dimensional diagonal knitted fabrics are lower than those of two-dimensional composite materials, and that the machine is ready for production in a long time in the production of large-sized fabrics and that it works slowly.
Today, three-dimensional diagonal knitted fabrics in the automotive industry; It is being studied on its use in the manufacture of chassis and shaft. If the targeted success can be achieved, up to 50% weight loss can be achieved in cars.
Three Dimensional Weaving Method
Three-dimensional weaving method represents one of the important methods used for the production of three-dimensional fabrics. Since three-dimensional fabrics are used in the production of composite materials, their strength values are important.
Weaving method among three-dimensional fabric production methods;
It provides the production of fabrics with high strength value compared to other methods. For this reason, it is a more common and known method compared to other production methods.
Traditional woven fabrics, which can be used in many different areas, are preferred in the production of two-dimensional composite materials in the composite industry. Textile composite materials in the aerospace and defense industry; Compared to similar materials such as metal and ceramic, it offers low weight, high strength value and many superior features.
Due to the low thickness value of the composite materials produced from two-dimensional woven fabrics, the low mechanical performance in the direction of their thickness is an important deficiency of these structures.
On the other hand, the separation problem between layers, called delamination, is another problem of these structures.
The yarns in the two-dimensional woven fabric structure are exposed to excessive bending due to the woven construction.
- carbon fibre
- Cam
- Turkish basalt stone
- Etc. as
The use of high modulus fibers in these structures; This causes the resulting fabric to have a low modulus of elasticity.
Traditional woven fabrics consist of two separate yarn groups perpendicular to each other.
Applying force to these fabrics in the cross direction;
- The slippage of the yarn groups, which we call weft or warp yarns, in the structure increases the strength of the fabric.
- to fall in diagonal directions
Why is it happening?
This problem experienced in two-dimensional woven fabrics triaxial It has led to the production of fabric types called
There are three types of yarn groups in triaxial fabrics. These threads are;
- In order to increase the strength of the structure against the forces applied in the diagonal direction, they intersect with each other by making an angle of 60˚.
- The problems experienced in two-dimensional woven fabrics have been an important reason for the production of three-dimensional woven fabrics.
- Three-dimensional woven fabrics, in the direction of their thickness formed by layers of yarn or fabric; are structures of a certain size.
- Three-dimensional woven fabrics show high mechanical characteristics in the direction of their thickness.
- Having a thickness value as an integrated structure completely eliminates the delamination problem observed in two-dimensional composite materials.
- Three-dimensional woven fabric production methods enable the incorporation of high modulus fibers into the structure with low crimp ratio in the x, y and z directions.
- Decrease in the rate of curl in the fibers; It provides an increase in the fiber/volume ratio of the structure, so the elastic modulus of the fabrics increases and an increase in strength is observed.
- Carbon, glass, basalt etc. with three-dimensional woven fabric production methods. high modulus fibers such as; It is possible to produce fabrics with a thickness value from 1 inch to 72 inches.
- Another plus point that three-dimensional woven fabrics have in the production of composite materials is that they can produce complex shapes and can be produced close to the net shape.
Processes such as drilling and cutting on composite materials cause a high degree of strength loss in the materials. Production close to final shape; while preventing the loss of strength in the material, it reduces the amount of material waste and labor costs. Yarns in the structure in the direction of thickness; acts as a capillary channel. These threads allow the resin used for the production of composite materials to be dispersed quickly and homogeneously within the structure.
Production Methods of Three Dimensional Woven Fabrics
In an era of weaving machines; The production of two-dimensional woven fabrics is provided by passing the weft thread through a mouthpiece opened.
In this method, where the machine speed can reach very high speeds with various weft insertion methods, the fabric thickness value is quite limited. In addition, the fact that the yarns are crimped in the structure causes the elasticity values of these fabrics to be low.
In three-dimensional woven fabrics, there are more than one weft thread in the thickness direction. This allows the fabric to be produced with a thickness value.
Before sparring in three-dimensional woven fabrics
- The necessity of opening more than one nozzle causes the machine speed to have a low value.
- Production of three-dimensional woven fabrics; It is provided by the modification of traditional weaving machines or by specially modified machines to produce three-dimensional woven fabric.
- Production of multi-storey structures; While the binding can be achieved by the movement of the warp threads only in the vertical direction,
- Three-dimensional woven fabrics are produced by moving the warp threads horizontally and vertically in specially modified weaving machines.
Three-Dimensional Modification of Traditional Weaving Machines Woven Fabric Production
Production of multi-layered woven fabrics using two different warp groups was started in 1974. Greenwood Developed by
Three-dimensional woven fabrics are produced by using three different yarn groups. Warp threads consist of two different thread groups. While one group extends only in the direction of the fabric direction, the binding warp threads hold the fabric together as a whole.
Khokar Noobed these structures named it. contained in the system three separate yarn groups do not make too many connections with each other. With this production method, up to 17 layers of fabric can be produced. The three-dimensional woven fabric produced with these systems is shown below.
Another three-dimensional fabric weaving system created by the modification of traditional weaving machines was established in 1990. Mohamed Developed by In this system, T, I, π etc. It is possible to produce three-dimensional woven fabrics with profiles.
In the system, the yarn bobbins are arranged in the creel according to the profile shape desired to be produced. A group of warp threads along the fabric direction; While lying in the fabric, the other warp thread group is moved up and down by means of the frames.
By means of weft needles, it is ensured that more than one weft yarn can be included in the structure in a single machine cycle.
Weft threads; It is attached to the structure by means of knitting needles located on the edge of the machine and fabric formation is ensured by the tamping process.
Thanks to this system, it has very high thickness values and is durable; The production of profiled three-dimensional woven fabrics can be made possible. The movement of mechanisms in this machine developed at North Carolina State University in the USA; It is provided by means of pneumatic systems in order to prevent electrification. In addition, the yarns were transported to the machine in the pipes to reduce friction in the yarns.
Fabric Production with Real Three-Dimensional Weaving Machines
In three-dimensional woven fabrics produced by modifying traditional weaving machines, it is ensured that a fabric layer is included in the structure during the cycle of the machine.
Scientists working on three-dimensional fabrics; do not see these systems as a real three-dimensional weaving machine, and all the layers that are desired to be included in the structure; they state that it should be included in the fabric in one cycle of the machine.
Structures produced with real three-dimensional weaving machines;
- uniaxial
- The presence or absence of crossing between multiaxial or yarn layers
It can be categorized according to its condition.
Aşağıda fukuta The uniaxial, three-dimensional weaving mechanism developed by Dr.
There are three different yarn groups in the structure. The y threads in the fabric direction extend along the fabric without making any folds. In the machine, it is ensured that the x and z threads are included in the structure by means of shuttles. In this system, there is no connection between the yarns.
In three-dimensional woven fabrics produced with the modification of traditional weaving machines;
- The threads are tied to each other at 90˚ angles.
- In these machines, the yarns cannot be included in the fabric with an angle of 45˚.
Therefore, fabrics;
- It shows low resistance against forces applied in the diagonal direction.
- With multi-axis three-dimensional weaving machines, it was possible to include yarn layers with +45˚ and -45˚ angles into the fabric in a single machine cycle.
Below is a visual of uniaxial and multiaxial unit fabrics.
By means of multi-axis three-dimensional weaving machines developed by Anahara in 1993, woven fabrics with five different axes can be produced. Below are the yarn layers with different angle values and the fabric produced.
Three-dimensional woven fabrics can also be produced circularly. compound There are five different yarn groups in the system developed by in 2000.
These yarns are located in the structure as axial, radial, circumferential and diagonal (+45˚, -45˚). In the system, circumferential and radial yarns form a woven layer around the axial yarns.
The three-dimensional circular weaving mechanism and the fabric produced are shown below.
In multi-axial, three-dimensional fabrics; There is no connection between every yarn in the structure. It has been a very important development for these systems that the machines can incorporate each yarn layer into the fabric in a single cycle.
khokar In the three-dimensional weaving method developed by A.Ş. in 1997, it is aimed that each yarn group connects with each other. In this method, warp threads; By means of various systems, fabric production is provided by moving it up, down, right and left.
Since three-dimensional woven fabrics are used in the composite industry, strength and weight values are of great importance. Three-dimensional woven fabrics in which each yarn in the structure is connected; It has very high strength values compared to other fabric types.
Classification of Three Dimensional Woven Fabrics
Three-dimensional woven fabrics can be categorized in many different ways. The weaving process, the geometry of the yarns in the structure, the micro and macro structure of the unit fabric cells; These are the subjects in which fabrics can be classified.
Many different scientists have classified three-dimensional woven fabrics. khokar classifies these structures in six groups depending on the weaving process, the yarn groups used and the structure created.
Chen on the other hand, formed four different groups by taking into account the macro structure of the unit fabric cell.
Fabrics in this classification method:
- Solid
- Hollow
- nodal
- Shell
As it is separated.
Three-dimensional woven fabrics, the yarns in their structure; It is also possible to separate the structure according to the layout geometries.
In this context, three-dimensional woven fabrics:
- orthogonal
- Angle interlock
It is divided into two groups.
In orthoganal structures, the binding threads make a 90˚ angle with the fabric layers.
In angled interlock fabrics, there is a certain angle value between the fabric layers formed by the warp threads and weft threads. This value can be adjusted depending on the characteristics of the structure to be produced. Reinforcing yarns can be added to the structure for both fabric types. These yarns extend in the direction of the fabric, increasing the fiber/volume ratio of the fabric and thus increasing the strength.
- Orthogonal fabrics have a higher fiber to volume ratio than angled interlock structures. Angled interlock structures have high elasticity properties compared to orthogonal fabrics.
Orthogonal and angled interlock fabrics; It can be divided into two groups depending on the geometry of the binding threads in their structures.
If the binding thread:
- If it bonds only between certain layers in the fabric, from layer to layer,
- If it performs the binding process throughout the fabric thickness, it can be called orthogonal or angled interlock fabric throughout the fabric thickness.