What's in Weaving Design
  • What's in Weaving Design

     

     

    woven fabric images

     

    Cross-sections of weaving weaves

     

    Classification of Weaving Knits

     

    Main Braids

     

    Plain Weave

     

    Plain Weave Types

     

    Rips Braid

     

    Warp Rip

     

    Weft Ripple

     

    Rips Knitting Derivatives

     

    Batter Rips

     

    Rubber Rips

     

    Patterned Rips

     

    Panama Braid

    Panama weave is the weave obtained by increasing the connection points of the plain weave by 2 or more in the weft and warp directions. Panama weaves, which have a looser structure than plain weaves, have a porous structure thanks to this feature. The durability of fabrics woven with Panama weaves is lower than plain weaves. Due to the presence of more than one yarn side by side, yarn slips may occur. For this reason, knittings with large reports are not preferred. It is generally preferred in the production of dress, jacket and overcoat fabrics.

     

    Regular Panama braid

     

    Irregular Panama Braid

     

    Panama braid examples

     

    Twill Weave

     

    Twill weave examples

     

    Braids Derived from Twill Weave

     

    Cut Twill Weave

     

    Warp Direction Cut Twill Weave

     

    Weft Direction Cut Twill Weave

     

    Broken Twill Weave

     

    Warp Direction Broken Twill Weave

     

    Weft Side Broken Twill Weave

     

    Herringbone Twill Weave

     

    Weft Direction Herringbone Twill Weave

     

    Warp Direction Herringbone Twill Weave

     

    Cross Twill Weave

     

    Warp Direction Cross Twill Weave

     

    Weft Direction Cross Twill Weave

     

    Wavy Twill Weave

     

    Diagonal Twill Weave

     

    Diagonal twill weave in the warp direction

     

    Diagonal twill weave in the weft direction

     

    Shaded Twill Weave

     

    Shaded twill weave in the warp direction

     

    Shaded twill weave in the weft direction

     

    Satin Weave

     

    warp satin

     

    scarf satin

     

    Detection of the number of skips in satin weave

     

    Broken satins

     

    satin weave examples

     

    Braids Derived from Satin Weave

     

    Shaded Satin Braids

     

    Shaded satin weave in the warp direction

     

    Shaded satin weave in weft direction

     

    Reinforced Satin Weaves

     

    Mixed Satin Weaves

     

    Crepe Knit

     

    Crepe weave obtained by adding or subtracting attachment points

     

    Crepe knitting obtained by turning motifs

     

    Crepe knitting obtained by selected knitting and mixed drafting application

     

    Crepe weave obtained by adding motifs to the connection points

     

    Crepe weave obtained by changing the movements in the knitting.

     

    Way Braids

     

    Cord Braid

     

    Pike Weave

     

    Reinforced Braids

     

    Double warp single weft fabric knits

     

    Double Layer Braids

     

    Top Warp-Bottom Weft Linked Double Layer Fabric Knits

     

    Bottom Warp-Top Weft Linked Double Layer Fabric Knits

     

    Top Warp Bottom Weft and Bottom Warp Top Weft Linked Double Layer Knits

     

    Additional Warp Connected Double Layer Fabric Knits

     

    Double Layer Fabric Knits with Additional Weft Link

     

    Changing Faced Double Layer Fabric Braids

     

    knitting derivation methods

     

    Effect of Colored Yarns on Plain Weave

     

    Effect of Colored Yarns on Twill Weave

     

    Plain Pile Braids

     

    Jacquard Pile Braids

     

    Tahar and Dobby

     

    Fabric Analysis

    Before proceeding to the analysis process to find the fabric weave, it is checked whether the fabric is in a known classical weave. If we have not been able to recognize the knitting by just looking, we try to find the knitting pattern, or at least to guess it, by examining the loop knitting. After the lattice size is determined, lattice analysis is started. If the fabric sample we have is small, analysis processes that do not cause shrinkage by necessitating cutting the fabric or pulling yarn from the fabric should be carried out before proceeding with the knitting analysis. Since the fabric weight is an important feature of the fabric, these measurements and calculations should be done carefully. After finding the weight of the fabric, some yarns are removed from the two edges of the fabric that intersect in the weft and warp directions and a fringe of 3-4 mm width is made. Suitable edges are the left and top edges. Weft and warp density can be found most accurately with a magnifying glass called a loop, which enlarges the 1 cm² area. While doing this, the rectangular edges of the loop are placed parallel to the weft and warp direction of the fabric and the yarns that enter 1 cm in length over the knitting are counted. If the knitting is so complex that it is difficult to count the threads, then the appropriate edge of the fabric is placed parallel to a ruler and the threads on the edge of the fabric are counted in the fringe with tweezers or a magnifying glass. If this is also difficult, then the thing to do is to count the yarns drawn from the middle after measuring the distance between the two lines marked parallel to the yarns on the fabric. After the fringe is made on both sides of the fabric, it is possible to determine the design size in the weft and warp directions and to determine the order of the weft warp yarns and the color plan. This can be very difficult with reinforced, extra-thread and double-layer fabrics. In cases of difficulty, this work should be done by carefully pulling the thread. When taking samples from the fabric to be analyzed, care should be taken to cover the color report and pattern features of the fabric completely. The warp and weft threads removed from the fabric during the analysis should be stored separately so that they do not mix. These separated threads should be used to determine the thread type and number. When you analyze the fabric, you want to produce the same fabric. The reason is the customer's request. However, you can produce fabric with different properties by being inspired by this fabric. You can even market the product by using the reverse of this fabric, not the face of it, according to fashion.

     

    Fabric Analysis Formulas

     

    Fabric Calculations

     

    Sample Fabric Weaving Loom

     

    How to design fabric

     

    Changing Faced Double Layer Fabric Weaves

     

    Plaid Pattern

     

    Jacquard design patterns

     

    Posted by %PM, 16% 570% 2017 15%:%Sep

What's in Weaving Design

 

 

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